When: Friday, September 2, and Saturday, September 3, 8pm
Where:The Flying Nun by Brand X, 34-40 Burton St, Darlinghurst
Cost: $25
Accessibility: If you have access requirements for attending the show, please tick the access requirements box during the booking process. This includes booking companion card tickets. A Brand X team member will then be in touch to ensure we understand your requirements.
As part of the Spotlight / Brand X Residency, 2022 recipient Olenka Toroshenko flew to Sydney to further develop and perform her work i am root as part of Brand X’s Flying Nun Program.
The aim of this residency is to develop national pathways for artists to further develop and present their work interstate along with networking opportunities provided in partnership with Brand X in Sydney.
The residency began at The Mill for 2 weeks earlier in the year, followed by a 1-week residency and performance season at Brand X’s The Flying Nun program. Olenka’s performances will occur on September 2 and 3.
We look forward to reporting on the outcomes from this wonderful development presentation and touring opportunity that is built to empower and support South Australian makers!
Olenka Natalia Toroshenko is a Ukrainian Canadian artist, writer and producer whose life is in service to a saner, meaningful existence. She is a multidisciplinary performer whose mediums include spoken word poetry, dance, clowning, song, storytelling and ritual performance art.
She is a Katonah yoga teacher, student of The Orphan Wisdom School and lover of coniferous forests. She has worked in news broadcasting and politics which helped shape her understanding of the current cultural paradigm. She was the co-producer of “wild”, “Shakti Showcase” and “Shakti Rising” multi-artist/disciplinary productions and has toured 4 different continents as a singer, poet and dancer.
She enjoys producing video projects, Burning Man theme camps, and multidisciplinary shows. She is inspired by collaborating with other artists.
Expressions of interest have closed for The Mill’s Adelaide Fringe 2023 season.
The Mill welcomes artists working in all areas of performance - from live music to theatre, dance, comedy and more. Our venue is a great space for risk-taking, trying out new ideas or presenting fully-realised works.
The Breakout is a 50-seater black-box theatre space adjacent to The Mill’s 35 artist studios and exhibition spaces. Located a 15 minute walk from Rundle Street, our theatre is perfect for intimate artist-audience interactions.
Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St. The Mill has concrete flooring throughout and a disability toilet. View more in-depth information on our accessibility page.
The Mill will be hosting a work-in-progress Q&A for Samuel Lau’s Walk of the Ancestors, with mentorship from Brink Productions director Chris Drummond.
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Walk of the Ancestors is a project that explores how Eastern philosophy and values, such as filial piety and ancestor veneration have manifested and directed Samuel Lau’s life as a second-generation Chinese- Australian.
This development opportunity has provided a mentorship with Director Chris Drummond to explore further into the writings of the play.
The Q&A will be between Samuel and Chris, supported by The Mill Associate Producer Louie Dempsey.
Samuel Lau is an Adelaide-based actor and musician. With cultural roots in Hong-Kong, Sam is a second- generation Chinese-Australian. A 2019 graduate of the Adelaide College of Arts Acting program, he has since worked in a variety of mediums such as ABC’s TV series Aftertaste, Anifex studio’s animation film The Better Angels and Too Dumb Blonde’s productions of Does it Please You? which was the recipient of the 2021 Holden Street Theatre Award. Sam often explores themes of diaspora in his works, such as through his 2021 MakeSpace Artist Residency where he dove into the cultural identity of being in-between cultures; investigating his lifelong navigation of liminal spaces both culturally and spiritually.
Chris Drummond is Artistic Director of Brink Productions. His productions have been presented by most major theatre companies and arts festivals in Australia. Credits include The Bridge of San Luis Rey, Memorial, Long Tan, The Aspirations of Daise Morrow, Babyteeth, Thursday, The Hypochondriac, When the Rain Stops Falling and Night Letters. He was nominated for a 2009 Helpmann Best Director Award for The Flying Dutchman (SOSA) and his productions have won Ruby, Adelaide Critics Circle, Green Room (Vic) and Sydney Theatre awards. Chris was Associate Director of State Theatre Company of South Australia from 2001 to 2004.
This residency is presented in partnership with Brink Productions, supported by Arts South Australia.
Disability access is available via our Angas St entrance, and a disability toilet is also available. View our accessibility information page.
You are invited to the work-in-progress showing of I am Root, a ritual performance piece by Olenka Toroshenko.
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Most of us are transplants. Uprooted from one country and resettled, making home in another's. Do you remember where you came from? What happens when culture, language and ancestry are left behind?
Told from the perspective of a Ukrainian Canadian living in Australia, this ritual performance piece wonders how one might question, create and nourish culture in a globalised, colonised world. Olenka enlists her mother tongue (Ukrainian) and the mediums of song, dance, folk traditions and recipes, story, poetry and prayer to enliven the depths of the unspoken, mysterious places where spirit lives...if we're willing to cultivate it.
We are future roots.
The showing with be followed by a short Q&A with Olenka, presented by The Mill CEO / Artistic Director Katrina Lazaroff & Associate Producer Louie Dempsey. Audiences will have the opportunity to ask questions about the development and provide feedback about the performance.
Olenka Natalia Toroshenko is a Ukrainian Canadian artist, writer and producer whose life is in service to a saner, meaningful existence. She is a multidisciplinary performer whose mediums include spoken word poetry, dance, clowning, song, storytelling and ritual performance art.
She is a Katonah yoga teacher, student of The Orphan Wisdom School and lover of coniferous forests. She has worked in news broadcasting and politics which helped shape her understanding of the current cultural paradigm. She was the co-producer of “wild”, “Shakti Showcase” and “Shakti Rising” multi-artist/disciplinary productions and has toured 4 different continents as a singer, poet and dancer.
She enjoys producing video projects, Burning Man theme camps, and multidisciplinary shows. She is inspired by collaborating with other artists.
When: Friday, May 20, 7pm; Saturday, May 21, 3pm and 7pm
Duration: 45 minutes
Where: The Odeon Theatre, 57a Queen St, Norwood
Cost: $18 (+ booking fee)
Presented by The Mill, supported by Venue Partner ADT,Dance Launchpad is a professional development program designed to support emerging dancers to build experience in the professional industry.
The program nurtures the ecology of dance in SA by commissioning established SA choreographers to make new work, and share their industry knowledge with emerging SA dance artists.
Dance Launchpad 2022 is a contemporary dance double bill by choreographers Amanda Phillips and Tobiah Booth-Remmers performed by four emerging dancers Jess Minas, Isobel Stolinski, Amelia Walmsley and Amelia Watson, presented at ADT’s Odeon Theatre in May 2022.
Work 1:
Loom is a new dance work about the forces that drive us, directed by Amanda Phillips.
Loom is layered with both the impact of an irrepressible pull and desire, and the dread and knowing that follows or predicts our destination. On this pathway, it’s the shadows we can’t shake or the belief systems that are ingrained, or the disease/s we face or live with – that are ever present. We all have something looming or deep set inside us, which is part of us. The work aims to explore this terrain - the interplay of paying attention to the things that define us, or control us, or conversely to release and find a freedom in being: carried by these forces. How are we controlled? Is it a choice? Does what is looming, define us?
Loom is about what walks with us, follows us, hangs over us and what we carry within.
Composer: Alexander Waite Mitchell
Amanda Phillips s a multi award-winning Australian Director, Choreographer, Digital Media Artist, Filmmaker, Educator and Creative Producer across stage, screen and events. Her “mastermind” ground-breaking work is hailed as “the new deal arts-wise at its mesmerising best”. Amanda holds a Masters of Dance (Laban Centre, London) and has worked prolifically in the UK, Europe and Asia. She is a Churchill Fellow and Centennial Medallist, and has received numerous accolades across her body of work including a Ruby Award for Innovation. In the past decade, she has created over 30 projects across dance, theatre, film, installation, public art and performance art.
Amanda works in partnership with composer, music producer and media artist Alexander Waite Mitchell in researching and realising hybrid projects through the application of 3D-stereo, immersive cinema, sensors, real-time systems and emergent technologies. Since 2003, their creations include: MASS – Moving Audience Street Sculpture, Future Memory, 3xperimentia: Live Cut in 3D, Otanical and conceiving X for Dance Hub SA.
Amanda is the Artistic Director of Dance Hub SA – Adelaide’s home of independent dance.
Work 2:
Semblance will revolve around ideas of seething, subtlety and singularity, directed by Tobiah Booth-Remmers. These will be the starting points that the dancers will jump off from, diving into movement research that seeks strong imagery and poignant moments within these ideas.
In general, Tobiah is interested in work that explores humanity and relationships to each other and ourselves. He likes to use a combination of movement, imagery and moments to create a world or atmosphere that an audience can fall into and inhabit for a time. Semblance will continue this line of research and creativity.
Videographer: Peter Drew
Lighting designer: Aaron Herczeg
Tobiah Booth-Remmers is a freelance dance creator, performer, teacher and facilitator from Adelaide, Australia. He has worked with Garry Stewart, Graeme Murphy, Branch Nebula, Brink Productions, Larissa McGowan, Lina Limosani, Gabrielle Nankivell and Paulo Castro among many others. Tobiah has performed in major arts festivals including the Adelaide Fringe Festival, Adelaide Festival of the Arts, Brisbane Festival, WOMAD, Dance Massive, Dublin Dance Festival and has performed at the Barbican Centre in London.
As a dance maker Tobiah has choreographed numerous commissioned and self-produced works, including large immersive, site specific and more traditional format performances. Tobiah has lectured and taught dance to students at Adelaide College of the Arts, LINK, WAAPA, QUT, Transit Dance and at SDC Pre-Professional Year. Tobiah also regularly works overseas and has received residencies and made work in Bulgaria, Brussels, Sweden and Greece. He has taught workshops on his own creative and movement practice in Belgium, Bulgaria, Greece, Italy, Portugal, Sweden, France, Israel and Mexico.
About the artists:
Isobel is an emerging freelance contemporary dance artist from Adelaide, South Australia. Since completing her formal training at Adelaide College of the Arts (2020), Bachelor of Creative Arts (dance), Isobel has embarked on her professional development journey, transitioning into the industry. In recent years, Isobel has collaborated with a wide-ranging mix of Australian and International artists.
Whilst in training, she has most notably worked with Gabrielle Nankivell, Peter Sheedy, Paulo Castro, Niv Marinberg (Israel), Joanne Stone, Carlie Angel and many others. Isobel has performed in arts festivals such as WOMadelaide (aus, 2019), The Adelaide Fringe (2020) and Paul Gazzola’s ‘SUE Festival’ (Series of Unexpected Events, 2019). Isobel has also gained industry experience whilst on secondment with Dancenorth (2020), Chunkymove (2021) and Australian Dance Theatre (2020).
As a maker, she has self-directed short performance works, both live and on screen. Isobel now spends her time exploring new information and opportunities across Australia, looking to inform her growing practice as an emerging artist
Amelia Watson is a contemporary dance artist based on Kaurna Land in Adelaide, Australia. Since graduating from Adelaide College of Arts in 2020 they have worked across various performance disciplines including contemporary dance, puppetry, theatre and dance theatre. Amelia has worked as a collaborator and dancer with artists and groups such as Windmill Theatre Company and HVK Productions on Bluey’s Big Play, Windmill Pictures on Beep and Mort, Daniel Jaber and Lina Limosani for Projekt Moxie’s Declivity, Lina Limosani for Dekolta Vs Auzinger, Motus Collective for Open House, Carclew as an assistant teacher for Stage Sparks and with DanceHub for the November iteration of X. Amelia has worked on short projects with local Adelaide artists Alison Currie, Tanya Voges, Carlie Angel and Jen Lush.
Amelia is a passionate emerging artist and strives to lead a practice that is inclusive, curious, collaborative and vulnerable.
Jess Minas is an upcoming Adelaide based artist working in dance, theatre, puppetry, and film. Whilst studying Jess worked with Niv Marinberg, Jo Stone and Paulo Castro, Peter Sheedy, Kialea-Nadine Williams, Rosemary Myers, Lewis Major and Tobiah Booth-Remmers. In 2019 she was photographed by Chris Herzfeld in a dance-based photoshoot directed by Erin Fowler, as well as a promotional photoshoot led by Australian Dance Theatre’s Artistic Director, Garry Stewart. Jess danced in Anifex’s award winning stop motion animation titled The Better Angels (2019). Since graduating Jess began working as a puppeteer for Windmill Theatre Company and HVK Productions on their 10-month national tour of Blueys Big Play, directed by Rosemary Myers. Jess recently worked as Movement Director on Lachlan Barnett’s ActNow Theatre MakeSpace Residency (2021) whilst also puppeteering on Windmill Pictures production of Beep and Mort, supported by the ABC. Most recently Jess worked as a dancer/ collaborator on Projekt Moxie, directed by Lina Limosani and Daniel Jaber.
Jess has created works for live performance and digital medium, Salute (2020) as part of Rip Drag and Ruminate in the Adelaide Fringe Festival, winning Best Dance Show at the weekly Adelaide Fringe Awards (2020), as well as creating two movement-based short films Etiquette and Snail Mail, in collaboration with Australian Dance Theatre and MusicSA.
Amelia is an independent dancer and artist based in Adelaide. She holds a Bachelor degree (2018) in contemporary dance, and has spent time freelancing in performing, teaching and visual arts contexts. Over the last few years Amelia has worked and performed both overseas and around most of Australia, in dance shows, circus shows, and cross disciplinary works, working with both other local independent choreographers and groups, and wider scale companies. She has collaborated closely with groups such as Lewis Major Projects, Motus Collective and MAD|DAN Productions; and with solo choreographers: Jessie McKinley, Tobiah Booth-Remmers, and Sophie Theodoros. Amelia has choreographed and performed in many of Adelaide’s festivals and parades: Adelaide Fringe Festival, Adelaide Cabaret Festival, OzAsia Festival, the Fringe Parade and Moon Lantern Parade. Although predominantly trained classical ballet and contemporary dance, Amelia is well versed in the disciplines of yoga (Ashtanga), circus acrobatics, improvisation, jazz, pilates, progessing ballet technique (PBT), and tumbling, and has dabbled in other areas of dance and physical movement such as circus, aerial arts, pole dancing, Javanese dance, Kandyan dance and fencing.
The Breakout is a versatile black box theatre. Expect everything from theatre to circus, comedy, live music & more. This year, we will be playing host to shows from across Australia. Take a look through our program list below or browse our shows via Adelaide Fringe
Proof of vaccination is required to enter The Mill until March 21, 2022. Read our Covid-19 policy.
The Mill is an accessible space. Disability access is available via Angas St, and a disability toilet is also available. If you have any questions or additional accessibility requirements, please contact us at info@themilladelaide.com
