James Alberts, aka Jimblah, is a Larrakia Brother who specialises in activating community & using the power of creative space to bring about healing, joy, and play where Community and Country are concerned. James is a music producer, vocalist, photographer & cinematographer, and utilises Song & Story to help uplift and transform Community for the better, and has close to 20 years of experience working within the First Nations sector, in particular youth spaces, all across the Country.
Artistic & Curatorial Facilitator:
Margie Medlin’s practice tracks in a linage of expanded cinema, her interdisciplinary projects explore interrelationships between movement, devised spaces, and media technologies. Throughout her practice, she has continued to experiment and forge new ground aesthetically, collaboratively, and technically. Her media artwork has been exhibited extensively including in India, the USA, Cuba, Australia, Germany, the UK, Japan, and Finland. As an educator, Margie was the director of Critical Path, centre for choreographic research in Sydney from 2007-2015.
Artistic Mentorship and Professional Development:
Tim Gruchy’s extensive career spans the exploration and composition of immersive and interactive multimedia through installation, music and performance, whilst redefining its role and challenging the delineations between cultural sectors. He has exhibited multimedia works, photography, video, music and performance since the early 1980s on 5 continents as well as his larger expressions in the public art arenas. His installations and performances feature in many international and Australasian institutions, festivals and public spaces including IlluminateADL 2021, Future Intelligence Shanghai 2019, WOMAD (2018/7), Wenzhou Bienalle (2016), Dak’ Art Dakar (2016), Auckland Arts Festival (2015 & 2009), New Zealand Arts Festival (2014), SCOUT Auckland (2012), Biennale of Sydney (2012) (collaboration), Beijing 798 (2011), Shanghai Expo (2010), 2nd Asian Art BIennial Taiwan (2009), Melbourne International Arts Festival (2009), Adelaide Festival (1986-2008), and Sydney Festival (2004). Theatre and opera credits include ‘AIDA’; Sydney Opera House and touring Australia (2009-2013), ‘Ainadamar’, Adelaide Festival (2008);The Leningrad Symphony (2006). His visual designs have featured in works by Opera Australia, OzOpera, Sydney Theatre Company, Australian Dance Theatre, Auckland Philamonia Orchestra and Mau. He is an Adjunct Research Professor at the University of South Australia, and was Art Director and Distinguished Professor of the Digital Art Department, Shanghai Academy of Fine Arts from 2018 – 2021. His research has extended into areas of interactivity, the human computer interface, performative interactives, having established dedicated labs at QUT in Brisbane and SAFA in Shanghai. He is represented by Kronenberg Mais Wright Gallery in Sydney. He has lectured and facilitated workshops in video art and interactive digital design at creative institutions around the world including Shanghai; Future University of Hakodate (Japan); National Institute of Dramatic Art (Sydney); University of Technology Sydney; Te Papa (New Zealand) and Queensland University of Technology (Brisbane). He has also been extensively involved in museum design and various projects at the intersection of architecture and multimedia. www.grup.tv
Cindi Drennan/Illuminart is an Australian multimedia artist and artistic director, specialising in projection art, with a passion for community building at the heart of her practice. Cindi is the founder and director of illuminart, bringing a wealth of experience and passion for the artform, and leadership to the projects. Architectural Projection and Projection arts projects directed by Cindi include Luminous Hall for UWA 2013; award winning No Boundaries Project in 2012; award winning Port Inhabited for Port Festival 2011; RED on Sydney Opera House for World Aids Day 2011; Fractured Heart for ARIAS and VIVID 2011-2012; The Ribbon for the Regional Centre of Culture program in Murray Bridge SA 2010, and Landed for the National Regional Arts Conference in Launceston, 2010, and Harts Mill Inhabited and Promise in 2009. Cindi’s multi-disciplinary background encompasses over 25 years experience in filmmaking, illustration, animation, community arts & interactive media. Cindi founded Illuminart in 2007, a South Australian arts company that integrates community consultation and engagement within high quality projection arts, architectural projection and audiovisual storytelling. Prior to this Cindi’s creative leadership roles included Tesseract Research Laboratories 1997-2004, The Electric Canvas 2004-2006, and also team leadership roles at the Institute for Interactive Multimedia (UTS) and Unlimited Energee 1993-1997. Cindi’s accomplishments include contributing projection art for the Commonwealth Games in Melbourne, DOHA opening ceremony and Singapore National Day; directing several short films and television commercials; directing two experimental AV theatre projects (Alpha Release at p-space, and Sprocket at The Studio Sydney Opera House); pioneering VJing and projection mapping in Australia.
