The Mill in Conversation: Charlene Komuntale, LK Artist in Residence

Artwork: Charlene Komuntale. Photo gallery: Daniel Marks.

The Mill in Conversation

When: February 10, 6:45pm

Where: The Mill’s Sponsored Studio,154 Angas St, Kaurna Yarta

Cost: Free

• Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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Join Ugandan artist Charlene Komuntale for a chat in her studio about work she is developing for the Sanaa exhibition at Kerry Packer Civic Gallery this February. Charlene is the current LK Artist in Residence, she will be spending 6 weeks living in Adelaide and working from a studio at The Mill supported by Sanaa. Charlene uses digital mediums to create stunning portraits of Black African women that centre empowerment, liberation and confidence. During the talk Charlene will chat about her practice, her subjects and use of symbolism in her portraiture.

• About the artist

  Charlene Komuntale is a digital artist and illustrator based in Kampala, Uganda. She holds a BA in Animation from Limkokwing University, Malaysia. In her recent series “Not Fragile”, Komuntale portrays women - mostly black African women.

  The subject matter is personal yet presented in a relatable way as inspiration is drawn from her own experiences but also informed by the experiences of other women around her.

  The heads of the women she portrays are covered by different elements, which create poetic yet striking narratives around a broadly relatable figure. At first sight, the works evoke a dreamy, peaceful, and quiet atmosphere, whereas at a closer look powerful, empowering and unapologetic messages come to the fore. Dominant, male-centered perspectives on women’s roles and supposedly nature-given capabilities and constraints attached to female bodies are being evaluated and re-examined. The juxtaposition of different elements creates an interesting asymmetry between awareness of self and the (male-centered) gaze of others. Intimacy, tenderness, vulnerability, and female beauty do not suggest fragility. Instead, it is related to strength and unapologetic confidence. Komuntale’s digital paintings deconstruct patriarchal narratives as shaped by culture, religion, and politics and provide a ground for inquiry and interrogation, and for visions of different futures.

  Her compositional choices create a space at the edges of reality – moments frozen in time and filled with surreal elements and metaphorical and symbolical references.

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The LK Artist in Residence Sponsored Studio is presented in partnership with Sanaa.

Sanaa aims to facilitate intercultural understanding by providing a platform to artists from culturally diverse backgrounds, with past exhibitions featuring international artists from many other cultures around the world, alongside Australian-based artists from Aboriginal, African, Middle Eastern and South American backgrounds.

The LK Artist in Residence is supported by Principal Partner LK Law.

Exhibition: Snug Diaries, Tikari Rigney

Artwork: Tikari Rigney

February 6 - March 24, 2023

Opening event: Friday, February 10, 6-8pm

The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

• Visiting the exhibition

  You can find Snug Diaries in The Mill’s Gallery II, located at 154 Angas St, Kaurna Yarta (Adelaide).

  Gallery II is open Monday-Friday, 10am-4pm.

  Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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The Mill is thrilled to present a new solo exhibition titled ‘Snug Diaries’ by Tikari Rigney. Kaurna, Narrungga and Ngarrindjeri visual artist and poet Tikari has developed this body of work during their 6-month Sponsored Studio Residency at The Mill in 2022, a new initiative supported by the Mahmood Martin Foundation. Snug Diaries is a sensory and tactile environment that encourages audiences to ponder the complexities of human experience. The exhibition includes soft ‘bodies’, made from textile scraps that have been machine and hand embroidered with Tikari’s poetry. The undulating forms are friendly and inviting to touch, providing a unique sensory experience for audiences. Yet, the words in both English and First Nations languages (Kaurna, Narrungga and Ngarrindjeri) explore Tikari’s experiences and challenges navigating queer, Aboriginal, non-binary identities.

The recently formed Solidarity Collective, facilitated by Tikari, have also contributed to the exhibition, with an installation of objects, performance and poetry. The emphasis on peer learning and multidisciplinary collaboration within this project create a profound sense of community and care.

• Artist Statement

  I would like to acknowledge Snug Diaries at The Mill is on Kaurna land, my grandmother’s land. I feel grateful to the Kaurna community for looking after Country, this land for thousands of years and proud that I am part of the oldest living culture in the world. Sovereignty was never ceded, always was, always will be Aboriginal land.

  Snug Diaries is a culmination of works that highlight anti-monolith identities and explores the consistent changing and emotions of navigating identity. 

  I have to acknowledge and thank members of the Solidarity Collective as their sharing helped shape this exhibition and my practice as a whole.

  These poems are like diary entries, thoughts, emotions, bodily challenges documented and try to understand myself. Difficult, sometimes painfully honest insights into my identity yet comforted by the textures of flowing fabric and the hug of soft forms. I encourage you to touch, cuddle with the works, feel solace and familiarity in their fleshy humanoid forms. I hope my writing exploring my daily challenges with my mental health, First Nations culture, queerness and non-binary identity brings solidarity to folks in these communities and learning and empathy to allies.

  Ngathu tampinthi ngaityu nakunakupinya ‘Marti Tirntu-irntu Piiparna’ Tawiwardlingka Kaurna yartangka, ngaityu ngapapiku yartangka. I acknowledge (that) my exhibition Snug Diaries at The Mill is on Kaurna land, the land of my grandmother (father’s mother)

  Yaintya yarta irdinti yarta, pukipukinangku. Yaintya yarta irdinti yarta muinmurningutha tarrkarri-arra. This land is sovereign land, from long ago. This land will continue to be sovereign land into the future.

  Marti Tirntu-irntu Piiparnapira About the Snug Diaries

  Yaintya tunki ngaityu piipa. This cloth is my book.

  Ngaityu pintyapintyanya ngatparnarli tirntu-irntu piipangka. My writings are like entries in a diary.

  Ngathu ngaityu yailtya, ngaityu muiyu, ngaityu nunupira pintyanthi ngaintipira tirkatitya. I am writing my thoughts/beliefs, my emotions (and) about my body in order to understand/learn about myself.

  Ngai muiyu, ngai yitpi, ngai tuwila, ngaityu ngutu, ngaityu mukapa, ngaityu yailtya yaintya tunkingka. My emotions, my soul, my spirit, my knowledge, my memory, my thought is in this cloth. Kurdantu, manmantu, martintu yaintya tunki. Touch, grab, embrace this fabric! Ngaityu pintyapintyanya nintaitya wangkaingku! Let my writings speak to you!

  Yaintya ngaityu tiyati warra. This is my truth.

• About the artist

  Tikari Rigney is a non-binary (they/them) Kaurna, Narrunga and Ngarrindjeri visual artist and poet living and working on Kaurna land. Their process is centred around their language, identity specifically their family’s First Nations history and informed by personal challenges and experiences. Their interests are in community connection, solidarity and learning. These are explored through a range of mediums however, their practice currently is focused on textiles and fleshy anthropomorphic sculptures. 

  Tikari has been involved with several group shows and will be exhibiting their first solo exhibition at the completion of their residency at The Mill in February 2023. Their next residency is at Nexus towards the end of 2023.

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The Mill’s Sponsored Studio program is presented in co-operation with Mahmood Martin Foundation.

Exhibition: Museum of Old Money, THE GOOD NEW$ BANK (Nicholas Hanisch and Cassie Thring), curated by Steph Cibich

February 6 - March 24, 2023

Monday-Friday, 10am-4pm, and extended hours during The Mill’s Adelaide Fringe season

The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

• Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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The Mill is excited to present a new exhibition ‘Museum of Old Money’ by THE GOOD NEW$ BANK curated by Steph Cibich. THE GOOD NEW$ BANK is the collaborative moniker for artist duo Nicholas Hanisch and Cassie Thring, who have been working closely with Cibich to develop a body of work that playfully comments on the ideas surrounding ‘currency’, ‘value’ and ‘worth’ under consumer-capitalism. What is art worth? What value does the artist play within our society? How do we understand the exchange value of creative work? How do you put a price on the way that works of art make us feel?  

With the current ‘cozzie livs’ (cost of living crisis), we are all making daily choices to determine how we can make our money stretch. Art can be seen as a luxury item, but at what cost? We know from our times in pandemic lockdown that art and creativity are central to our sense of self, and sense of community. Featuring Art Vending Machine Australia’s (AVMA) ‘Adelaide Art Vending Machine’, in which Curator Steph Cibich seeks to democratise the process of buying artwork, without undermining the work of the artist.

The vending machine will sit alongside other works, developed through a collaborative relationship between curator and artists, offering unique moments for audience participation. Artworks will be available for purchase giving audiences an accessible option for becoming collectors of contemporary art.

• Curatorial Statement

  ‘I’m not in it for the money – just the stuff it buys’ – Unknown.

  Our values change as our world evolves. In 2023, our consumer-driven culture determines what is ‘valuable’ based on how much something is ‘worth’. In other words, how much something costs or can be exchanged for something that is...well...better.

  Due to our contemporary relationship with commercialism, words like ‘value’ and ‘worth’ have lost their meaning. How we associate with people, relationships, places, objects, and experiences is commodified to reflect our globalised existence. In this environment, even trust is overthrown for economic opportunity. We find ourselves competing and comparing through any means necessary; on social media, in business, through our disposable possessions, even with new systems of currency. Yet, as people, we are often pressured by conflicting ‘values’ and seek to identify what (or who) is ‘worthy’, or ‘worthless’. We want to belong, to have someone reaffirm our ‘self-worth’ and to help our loved ones feel ‘valued’. Instead, we feel confused, disconnected, and lost. We’ve come to know the cost of everything but the ‘value’ of nothing.

  Cast against a backdrop of inflation, rising interest rates, a pandemic, the climate crisis, and escalating tensions overseas, The Museum of Old Money explores our evolving relationship with notions of ‘currency’, ‘value’ and ‘worth’. Curated by Steph Cibich and featuring new work by collaborative duo, THE GOOD NEW$ BANK (Cassie Thring and Nick Hanisch) including a unique takeover of Art Vending Machine Australia’s ‘Adelaide Art Vending Machine’, this exhibition offers a timely reminder of the things that really matter and how easy it is to get lost along the way. 

• About the artists

  Steph Cibich is a Kaurna Country (Adelaide) based curator and arts writer. Since 2019, she has worked as the Assistant Curator/Program Officer at the Centre for Creative Health and has built a strong independent curatorial practice. She is the founding force behind Art Vending Machines Australia (AVMA) and received the inaugural City of Onkaparinga Contemporary Curator Award (SALA 2019). In 2020, Steph was simultaneously appointed FELTspace Emerging Curator and the inaugural ART WORKS Emerging Curator, presented by Guildhouse and the City of Adelaide. Recently, Steph was appointed Co-chair of the Art History & Curatorship Alumni Network (AHCAN) and was a writer for ‘Neoteric’, an exhibition presented as part of the Adelaide Festival (2022). Steph’s curatorial approach centres on collaborating with and championing the work of contemporary artists. Through democratic and meaningful art projects, Steph seeks to bring people and ideas together by fostering connections between artists, art and audiences.

  @steph_cibich

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  Nicholas Hanisch is a sculptural installation artist graduating as a scholarship recipient at Adelaide Central School of Art. Hanisch’s ongoing practice has involved a diverse and continual exploration of mediums, conceptual themes, and collaborations. His recent body of work investigates creation narratives within the field of figurative sculpture. Hanisch’s sculptural forms are informed by the history of figurative sculpture, whilst celebrating the humour, the horror, the happenstance, and the sheer endeavour of creation. Previously Hanisch has attended the New York Studio School, practiced, and exhibited in Berlin, participated in residencies across India, and exhibited as part of The Art Gallery of South Australia collection.

  @nicholashanisch

  www.nicholashanisch.com

  __

  Cassie Thring is a multidisciplinary artist working from Floating Goose Studios on Kaurna land, Adelaide, SA. A passionate advocate for accessible community art programs, her work reflects an interest in the riches and sorrows of life, often through an apparently humorous lens. A graduate of Adelaide Central School of Art, Thring has participated in local and international residencies. Her work A Gazillion was exhibited as part of The Art Gallery of South Australia and is now in their permanent collection. Thring’s work is also held in the National Museum of Canberra and private collections, both in Australia and internationally.

  @cmthring

  www.cassiethring.com 

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Museum of Old Money is presented with support from City of Adelaide.

Breakout Residencies: A Dance Performance Research development with Daniel Jaber

Photo: Daniel Marks

Public showing

When: Friday, December 16, 6-7pm (5:45pm arrival for 6pm sharp start)

Where: The Mill, 154 Angas St, Kaurna Yarta (enter via The Exhibition Space)

Cost: $10 (+ booking fee)

Duration: 45 minutes (including casual Q&A)

• Getting to the showing

  This showing will be held in The Breakout at The Mill. Please come to the Exhibition Space at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

  Accessibility

  Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

  If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com

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The Mill presents the final showing of our 2022 Breakout Residency Program. 

We welcome you to view a showing of new solo dance work in development by renowned Adelaide independent dancer and choreographer Daniel Jaber, as part of his Free-range Residency. The showing will reveal the content being explored and a Q&A following the showing will take you inside the creation process of his newest work.

• About the artist

  Daniel Jaber was born in Nairne, in the Adelaide Hills of South Australia. He is of Lebanese and Maori cultural heritage. 

  Jaber has created work for Australian Dance Theatre, Expressions Dance Company (now Australasian Dance Collective), Houston Ballet 2, Qantas Australian Tourism Awards, Dance Moms, Dubai Festival, Architanz Tokyo and was the Creative Director of LW Dance Hub (now Dance Hub SA) in 2015. He has choreographed new works on many tertiary institutions, universities and colleges throughout Australasia and the US, including QUT, Adelaide College of the Arts, California State University (LA & Fullerton), Transit Dance and the New Zealand School of Dance. 

  Daniel’s dance training began in Adelaide with Christine Underdown (Dancecraft Studios) and Barbara Komazec (Barbie Jayne Dance Centre). He further pursued his training through the Queensland University of Technology, Queensland Ballet Company Professional Year and the Adelaide College of the Arts before joining Australian Dance Theatre as a trainee dancer, under the direction of Garry Stewart, at the age of 17. 

  As a company member of Australian Dance Theatre (2004-2021), Jaber has toured the world extensively and participated in the creation of new works as well as touring repertoire.

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Call-out: Delima Residency at Rimbun Dahan 2023

In 2023, The Mill will be offering one South Australian artist the opportunity to travel to Rimbun Dahan, Malaysia, for a 3-month (residential) residency, October-December 2023, in cooperation with Mahmood Martin Foundation.

This will be followed by a 3-month (non-residential) studio residency at The Mill, and a solo exhibition outcome presented in The Mill Showcase. 

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Pronunciation guide:

The words below are Malay language words where all syllables have equal emphasis and are phonetic.

Delima: De-li-ma

Rimbun Dahan: Rim-bun Da-han

The ‘a’ in Dahan is a short, broad ‘a’ – as in, ‘ask’.  The ‘u’ in Rimbun is as in ‘put’. Delima is pronounced Deleema.

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Application process:

1. Read the Residency Information PDF, send us an email to visualarts@themilladelaide.com if you have any questions

2. Information Night

   Hear from artist Rob Gutteridge about his experiences at Rimun Dahan. The info night is an optional but recommended part of the application process.

3. Application form

   Applicants are required to fill in an application form linked below, which asks a series of questions relating to the selection criteria. If you need help with the form, send an email to visualarts@themilladelaide.com and we can have a chat!

4. Interview

   A short-list of artists will be made by the selection panel. Short-listed artists will be required to attend an interview (in person or via zoom). 

Key dates:

Applications open: March 2023

Applications close: May 8, 11:59pm, 2023 

Short-list notified: May 16, 2023 

Rimun Dahan residency timeframe: October - December 2023

The Mill studio timeframe: January - March 2024

The Mill exhibition: April 2024

Read about our 2021 Sponsored Studio recipients Holly Childs and Hussain Alismail, and our 2022 Sponsored Studio recipients Viray Thach and Tikari Rigney. 

The Mill’s Sponsored Studio program is presented in partnership with Mahmood Martin Foundation.

Breakout Residencies: Emma Beech showing, 'Here We Are'

Photo: Daniel Marks

Public showing

When: Friday, December 2, 5-6pm (4:45pm arrival for 5pm sharp start)

Where: The Mill, 154 Angas St, Kaurna Yarta (enter via The Exhibition Space)

Cost: $10 (+ booking fee)

Duration: 1 hour (including casual Q&A)

• Getting to the showing

  Grim Grinning Ghosts will be held in The Breakout at The Mill. Please come to the Exhibition Space at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

  Accessibility

  Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

  If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com

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The Mill’s Centre Stage Residency will progress a new work presented by Emma Beech to its next stage of development, including a work-in-progress public showing and culminating in a season at The Mill as part of Adelaide Fringe 2023.

Here We Are crosses forms between stand-up comedy, improvisational theatre, performance lecture and traditional theatre. Embracing simplicity in form, a low carbon footprint in all areas of design, as well as a focus on the here and now, by creating improvised story performances.

“No rehearsals, no story set list, no set design, just me, the craft I have so finely tuned, my stories from the wonderful story life I have lived and sought out, and the relationship I build with the audience over the course of a show.”

About the artist:

Emma Beech graduated from Flinders Drama Centre 2002, has worked in theatre and screen plus developed a practice making theatre shows from intimate conversations with strangers. Emma has made theatre across a broad range of genres with rigorous makers from Adelaide, to Melbourne, to Spain to Denmark, for over 15 years and has been commissioned by Carte Blanche, Vitalstatistix, Country Arts SA, Arts House, DreamBIG and recently the Adelaide Festival.

Collaborator:

Here We Are is directed by Tim Overton.

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The Mill Centre Stage Residency is presented in collaboration with Adelaide Fringe Artist Fund.

Employment Opportunity: Adelaide Fringe 2023 at The Mill, Fringe Venue Manager

We are seeking an experienced Venue Manager to assist with delivering our 2023 Adelaide Fringe season.

The Mill's 2023 season will consist of theatre, comedy, live music and multidisciplinary works. Our venue is an intimate 50 seat black box theatre, adjacent to our studios. Expect a fast-paced season of diverse shows, delivered by a mix of emerging and established performing artists from SA and beyond, and a small, dedicated venue team, of which you will be an integral part.

The Fringe Venue Manager role is highly visible, centred around welcoming audiences to our venue, operating box office and bar, and working closely with the Mill Venue Manager, performing artists and volunteers. A key responsibility of this role is making sure the venue maintains a tight schedule of up-to six performances a day. It's their job to ensure our venue is an enjoyable space for both audiences and performers.

Requirements

• Experience in box office / front of house work

• Experience in cash handling and reporting

• A positive, independent approach to the assigned tasks

• In-date first aid certificate

• RSA certification

Bonus points awarded for

• Volunteer management experience

• Stage management experience

• Experience with Square point of sales and/or Google Workspace and FringeTix

• Responsible Person badge

Details

• Paid casual position

• February 18 - March 20, 2-3 days (14-20hrs) per week from 5pm - late

• $30.00/hr + super

To apply for Fringe Venue Manager, please send a CV to Tim Watts, General Manager at The Mill.

Applications close Sunday 11th of December at 11.59pm

Exhibition: Sonya Mellor, Deep Listening

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Sonya Mellor, Lemniscate 1, Image: FINN MELLOR.

December 2, 2022-January 27, 2023

Finissage event: Friday, January 27, 5:30pm

Opening event: Friday, December 2, 6-8pm

Midsummer meditation: Tuesday, December 20, 6pm

Where: The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

Accessibility: Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St. The Mill has concrete flooring throughout and a disability toilet. View more in-depth information on our accessibility page.

• Visiting the exhibition

  You can find Riot on an Empty Street in The Mill’s Gallery I, located at 154 Angas St, Kaurna Yarta (Adelaide).

  Gallery I is open Monday-Friday, 10am-4pm.

  Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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For our final exhibition of the 2022, The Mill presents Deep Listening by artist Sonya Mellor. Through sculpture, installation, movement, sound and performance art, Sonya Mellor will be activating The Mill’s Exhibition Space, inviting audiences to experience a vibrant, dynamic, living exhibition. Sonya builds on concepts that she explored while participating in The Mill’s City Mobilities Public Art Masterclasses in 2020 and 2021, bringing ideas of public space into the gallery space.

The exhibition’s title makes reference to writing by Quanamooka artist Megan Cope, who encourages the viewer to consider the relationship between sound, vibrations, our bodies and the land, inviting “...’deep listening’, in order to align mind and body with the earth”. Sonya’s approach to the act of deep listening is concerned with attention and respect, acknowledging her role as a non-Indigenous person on stolen land. ‘Through my passions of nature and community, I would like to engage the community/public, through arts activation, into deep listening’ she states. The works are created using a diverse range of materials, and artistic practices; Using reclaimed, repurposed, discarded and found on the ground objects, the discarded parts of natural objects, poetry, sound and movement. The exhibition will also include an ephemeral floor installation consisting of natural objects found on daily walks explorations during the exhibition time, an acknowledgement of ‘deep listening’ to the land where we live, work and play.

• Artist Statement

  My practice is about finding a unique visual, sound and movement language for ‘deep listening’. I am inspired by nature and what the community/public has to offer, contribute and share. This exhibition will translate community poems into movement, language and sound works. Creating a practice of embodiment, the exhibition is about finding my own way of ‘deep listening’. It navigates my connection to the Earth and Nature, here in South Australia, from a non Indigenous persons perspective, whilst holding a deep appreciation and respect for Indigenous connection to the land, sea and sky.

  Life is about movement, moving forwards, under, around and through. By utilizing the action of ‘deep listening’, we can access these movements more readily, with a sense of grace, calm, peace and a sprinkle of humour. In these times of busy, busy, rush, rush...by ’listening deeply’ and weaving gossamer threads of nature, connection and community.

• About the artist

  Sonya Mellor is a South Australian, multi–disciplinary Sculptural, Installation and Performance Artist. She also is known to dabble in photography, drawing and painting. Having grown up in South Australian nature, this has been a great influence throughout her arts practice.

  Growing up as an only child of German immigrants, with no other family around, she has always spent time creating community wherever she goes. This has created an eclectic group of friends and acquaintances from all walks of life. And has given her confidence in creating and facilitating community workshops, as she is always keen to meet new and interesting people. To listen to their stories and adventures and create art and music with them.

  Sonya started her professional life as a musician, band leader, music teacher, dancer, and artistic director of various music and dance companies, and having always wanted to study visual arts from an early age, now that her children are older, in 2019 the time had finally come! She is currently a BVA student at ACSA (Adelaide Central School of Art) A feeling of finally having found her people, as she continues to follow this thread to see where it may lead.

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The Mill is supported by the Government of South Australia, through Arts South Australia.

Call-out: The Mill Mahmood Martin Foundation Sponsored Studio 2023

In 2023 The Mill will be offering two First Nations and/or Culturally Diverse artists the opportunity to join The Mill community, each receiving 6-months of studio space and an exhibition outcome as part of The Mill Showcase in 2023/24. The artists will be selected through an open call-out addressing criteria assessed by a panel of The Mill and Mahmood Martin Foundation.

Thanks to Mahmood Martin Foundation, the selected artists will join our community of studio artists with their own private workspace at 154 Angas St, allowing them to develop their practice within a professional environment. Working at The Mill positions artists alongside other professional and emerging artists, providing encouragement, inspiration and facilitating networking and collaboration. It encourages collaboration between artists from diverse backgrounds, extending artists' practice and exploring new territories.

In addition, the artists will be given the opportunity to exhibit work created in the studio in The Mill Showcase, providing a public outcome for the program and profiling the artist to a wider audience. The artists will also have access to discounts for Premier Arts Supplies and Central Artist Supplies, as well $550 towards exhibition and workshop production.

The artists will work with The Mill’s team to deliver the exhibition, with potential to develop other public programming such as workshops, artist talks, podcasts and more.

Eligibility:

This is an identified opportunity, specifically being made available to a First Nations and/or Culturally Diverse artist who are:

• Emerging and/or established

• Committed to making their practice their main hustle 

• Seeking space and time to develop a concept/body of work for exhibition

• Looking to connect with a community of professional practitioners

• Based in South Australia

Who is not eligible:

• Artists who are full-time students or who work full-time 

• Artists who do not identify as First Nations and/or Culturally Diverse

We strongly encourage applications from disabled artists. 

Selection criteria:

The recipients will be selected by a panel comprising of The Mill and Mahmood Martin Foundation based on the following criteria:

1. The artist identifies as First Nations and/or Culturally Diverse

2. The artistic merit of artist practice and proposed body of work to be developed

3. The need for this opportunity in realising the project, enhancing practice, and/or developing a profile

4. A strong desire to connect with the community of multidisciplinary artists at The Mill

5. Availability and commitment to utilising the studio space

What you get:

• 6 months access to a dedicated studio space at The Mill (including access to high-speed internet via Gig City, all overheads and outgoings) at no charge

• Access to other shared areas at The Mill including the workshop, meeting space, kitchen and other public areas

• Professional and artistic support from The Mill’s team (including professional development advice, artistic critique and more) 

• Introductions to The Mill’s studio community to aid with networking and professional development

• A 2 month exhibition in The Mill Showcase, delivered in consultation with The Mill’s Visual Arts Curator

• An exhibition opening event, delivered by The Mill and open to VIPs, guests and the general public

• Profiling via The Mill’s networks, including social media, mailing list and events

• The opportunity to liaise directly with The Mill’s supporters and develop relationships

Read about our 2021 Sponsored Studio recipients Holly Childs and Hussain Alismail, and our 2022 Sponsored Studio recipients Viray Thach and Tikari Rigney.

Key dates:

Applications open: Wednesday, 16 November, 2022

Applications close: Wednesday, 14 December, 2022, 11:50pm

Notified: Wednesday, 21 December, 2022

Studio residency timeframe: January-June 2023 or July-December 2023

If you have any questions, or would prefer to apply via phone call or zoom, please email visualarts@themilladelaide.com

The Mill’s Sponsored Studio program is presented in co-operation with Mahmood Martin Foundation.

Call-out: Seeking volunteers for Fringe 2023 season

The Mill is seeking applications for volunteers (front of house / box office) for Adelaide Fringe 2023.

Volunteering is an opportunity to gain valuable skills in front of house, box office and venue operations, all while seeing some amazing Fringe shows - for FREE!

To apply for a volunteering role, please send a CV and/or a short bio to The Mill Associate Producer.

Be sure to list any relevant experience working in small-medium venues with similar equipment set-ups and include RSA/first aid certificates if applicable.

Employment Opportunity: Adelaide Fringe 2023 at The Mill, Venue Technicians (x2)

We are seeking two emerging to experienced venue technicians to assist with delivering our 2023 Adelaide Fringe season.

The Mill's 2023 season will consist of theatre, comedy, live music and multidisciplinary works. Our venue is an intimate 50 seat black box theatre, adjacent to our studios. Expect a fast-paced season of diverse shows, delivered by a mix of emerging and established performing artists from SA and beyond, and a small, dedicated venue team, of which you will be an integral part.

Requirements

• Familiar with QLAB (some on-site training provided as required)

• Confident in operating live sound, lighting and video for a variety of performance styles

• Available February 18 - March 20, 40-45hrs per week

Details

• 2 paid, causal positions available

• $30.15/hr + super

To apply for Fringe Venue Technician, please send a CV and a one-page cover to Tim Watts, General Manager at The Mill.

Solidarity Collective

Artwork: Tikari Rigney

Exhibition opening: February 10, 6-9pm

Collective meet-ups:

Thursday, November 3, 5:30-8:30pm

Wednesday, November 16, 5.30-8pm
(Drop in Care Space, 143 Sturt St, Tarndanya, Adelaide, entrance via driveway on Hamley Street)

Wednesday, December 7, 5:30-8:30pm

Wednesday, January 11, 2023 5:30-8:30pm

Saturday, January 28, 2023 10am-4pm Workshop

Tuesday February 21, 2023 5:30-6:30 Artist talk

Where: The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

Cost: Free

• Accessbility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

The Mill’s Solidarity Collective (working title) is a new project initiated and facilitated by Kaurna, Narrunga and Ngarrindjeri artist, and 2022-23 Sponsored Studio recipient Tikari Rigney.

The Collective will be made up of South Australian based artists who identify as First Nations, and/or People of Colour. This Collective will create a community setting for multi-disciplinary artists to share, create and work collaboratively. Ultimately providing a platform for artists to express themselves and share stories within a safe space, while also making friends and sharing.

The Solidarity Collective have also contributed to Tikari’s solo exhibition Snug Diaries, with an installation of objects, performance and poetry. The emphasis on peer learning and multidisciplinary collaboration within this project create a profound sense of community and care.

What to expect at Collective meet ups:

Facilitated by Tikari, The Mill will host five meet-ups throughout late 2022 and early 2023. While we encourage you to attend in-person, there is flexibility for you to attend via Zoom and when your schedule allows. The meet-ups will include snacks and if you have any access needs to make your time at The Mill more comfortable, please email our team.

Once the five meet-ups have concluded, members of the Solidarity Collective will co-present an artists talk with Tikari, as an extension of their exhibition.

• About the facilitator

  Tikari Rigney is a non-binary Kaurna, Narrunga and Ngarrindjeri visual artist and poet. Working in a range of mediums from performance, illustration sculpture to writing. Their practice references their queer bodily experience, Aboriginality and the complexities of human connection. Exploring themes of humor, rebirth and emotional vulnerability. Tikari is a recipient of The Mill’s BIPOC Sponsored Studio 2022. Rigney participated in the inaugural Zine and Held fair for disabled and people of colour artists at POP gallery. They have exhibited in over five group exhibitions in South Australia. They curated the largest student exhibition at Adelaide Central School of Art during their studies, with over 22 artists and is completing a Bachelor in Visual Arts. Rigney has connections to Carclew through their Creative Consultant program and has completed a culturally diverse illustration commission for Shine SA.

Photo: Johnny von Einem

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The Mill’s Solidarity Collective is supported by an Arts SA Community grant.

The Mill’s Sponsored Studio program is presented in co-operation with Mahmood Martin Foundation.

Adelaide Festival Masterclass: Bangarra Dance Theatre

Photo: Courtesy of Bangarra Dance Theatre. Photographer: Daniel Boud.

Masterclass

When: Friday, March 18, 2022, 11.30am-1pm (venue will be open for warm up 15 minutes early)

Where: AC Arts, Level 3, Rehearsal Studio, 23 Light Square, Kaurna Yarta (Adelaide)  

Cost: $30 (+ booking fees)

• Additional information

  Any cancellations due to Covid-19, tickets will be refunded.

  Please note participants will need to be double vaccinated to attend. Please have your vaccination certificate ready to check in to the masterclass. you will not be permitted entry without it.

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The Mill in Partnership with Adelaide Festival present a masterclass with Bangarra Dance Theatre (NSW) - an exploration of cultural elements of dance in a contemporary setting. 

About the masterclass:

While in Adelaide performing in Adelaide Festival, Bangarra is committed to engaging with the community beyond the performance and will be holding a contemporary dance workshop. This session focusses on exploring cultural elements of dance in a contemporary setting. 

Facilitated by two of the company members, who share the rich culture and history that is sewn through their storytelling. 

Wudjang: Not the Past follows the journey to honour Wudjang with a traditional resting place on Country. Combining poetry, spoken storytelling and live music with our unique dance language, this profoundly evocative piece of First Nations performance promises to be a benchmark Australian production. 

Wudjang: Not the Past can be seen at the Festival Theatre from Tuesday 15 – Friday 18 March

Experience level:

First Nations and Indigenous high school / tertiary students (preferred) or dance specialist high school/tertiary level students. Age: 14 - 26 yrs.

Note: Dance specialist school students will require a teacher to attend and supervise 

• About the company

  Bangarra Dance Theatre is an Aboriginal and Torres Strait Islander organisation and one of Australia’s leading performing arts companies, widely acclaimed nationally and around the world for our powerful dancing, distinctive theatrical voice and utterly unique soundscapes, music and design. 

  Led by Artistic Director Stephen Page, Executive Director, Lissa Twomey and Associate Artistic Director Frances Rings, we are currently in our 32nd year but our dance technique is forged from over 65,000 years of culture, embodied with contemporary movement. The company’s dancers are professionally trained, dynamic artists who represent the pinnacle of Australian dance. Each has a proud Aboriginal and/or Torres Strait Islander background, from various locations across the country. 

• About the facilitators

  Rikki Mason is a descendant of the Kullili people from South West Queensland and is from Inverell in Northern New South Wales. Rikki also has Danish, German, Scottish and Irish heritage. 

  Rikki was born and raised in the country town of Inverell on land of the Gamilaraay people. He grew up playing football representing NSW Country Catholic Schools for Rugby League, NSW CHS for Touch Football and studying Koshiki Karate he was named Junior World Champion in 2000. He took his first dance class in 2007 at the age of 17 and went on to train at the Australian Dance Performance Institute (ADPI) and L’Ecole-Atelier Rudra-Bejart in Switzerland. 

  Rikki has performed with the Brisbane City Youth Ballet, Queensland National Ballet, Lucid Dance Theatre and Television shows including Everybody Dance Now (2012) and So You Think You Can Dance (2014). 

  Rikki joined Bangarra in 2014, and has since toured regionally, nationally, internationally and On Country in Aboriginal and Torres Strait Islander communities all over Australia. Performing On Country is always a highlight for Rikki as well as performing solo The Call from Walkabout on stages around the world. "Connecting and performing stories gifted to Bangarra from communities around Australia is a great honour."

  Rika Hamaguchi is from Broome in Western Australia. She is a descendant of the Yawuru, Bunaba, Bardi and Jaru people in the Kimberley Region. Rika also shares Japanese, Chinese and Scottish ancestry. 

  Before joining Bangarra in 2015, Rika studied at NAISDA Dance College, where she was awarded the prestigious Chairman’s Award. 

  Rika is a senior artist with the company and is grateful to have worked with a number of artists and cultural tutors throughout her career. She is honoured to be able to perform and consult on a Kimberley work such as SandSong. She’d like to acknowledge The Kimberley community back home who have shaped her into who she is today. 

  Rika has toured nationally (Bennelong, lore, OUR land people stories, Dark Emu and 30 years of sixty five thousand), regionally (Kinship, Terrain, OUR land people stories, Bennelong, Spirit: a Retrospective) and internationally (Europe, Asia, America). 

Photo: Daniel Boud

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OzAsia Masterclass: Gudirr Gudirr with Co-Artistic Directors of Marrugeku

All images: Terry Murphy.

Masterclass

When: Friday, November 4, 1-3pm

Where: AC Arts, Rehearsal Studio, Level 3, 23 Light Square, Kaurna Yarta

Cost: $30 (+ booking fee)

Studio open at 12:45pm, please arrive then to check in and warm up.

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The Mill in partnership with OzAsia Festival present a contemporary movement masterclass with Marrugeku’s Dalisa Pigram and Rachel Swain.

Dalisa Pigram is touring to Adelaide to perform in Gudirr Gudirr as part of 2022 OzAsia Festival.

About the masterclass:

Marrugeku's co-artistic directors Dalisa Pigram and Rachael Swain will lead a workshop for dancers, movers, and choreographers. The workshop will introduce Marrugeku’s devising approaches drawing on personal and cultural backgrounds to create contemporary movement. We will experiment with techniques to layer and structure movement, ideas, characters and cultural influences. The workshop will draw from the processes Marrugeku used to create Gudirr Gudirr.

Experience level:

Participants should have 2-3 years of experience in one or more of dance, circus, street forms like parkour or hip hop, traditional or contemporary Indigenous dance, martial arts or other movement based practices.

The workshop is also open to actors with some movement experience interested in improvisational movement processes to generate theatre.

About the Co-Artistic Directors:

• Dalisa Pigram

  A Yawuru/Bardi woman born and raised in Broome, Dalisa has worked with Marrugeku since the first production Mimi and has been Co-Artistic Director since 2008. A co-devising performer on all Marrugeku’s productions, touring extensively overseas and throughout Australia. Dalisa’s solo work Gudirr Gudirr earned an Australian Dance Award (Outstanding Achievement in Independent Dance 2014) and a Green Room Award (Best Female Performer 2014). Dalisa co-conceived Marrugeku’s Burning Daylight and Cut the Sky with Rachael Swain, co-choreographing both works with Serge Aimé Coulibaly. Together with Swain she co-directed Buru, Ngalimpa and co-curated Marrugeku’s four International Indigenous Choreographic Labs and Burrbgaja Yalirra. Dalisa co-conceived with Rachael Swain and Patrick Dodson Marrugeku’s Jurrungu Ngan-ga [Straight Talk], co-Choreographing the new work with the performers.

  Dalisa also co-choreographed and performed in Marrugeku’s new digital work, Gudirr Gudirr video and sound installation. In her community, Dalisa teaches the Yawuru Language at Cable Beach Primary School and is committed to the maintenance of Indigenous language and culture through arts and education. Dalisa is co-editor of Marrugeku: Telling That Story—25 years of trans-Indigenous and intercultural exchange (Performance Research 2021).

• Rachael Swain

  Rachael Swain —Artistic Co-director Marrugeku: a settler artist, born in Aotearoa/New Zealand, Rachael works between the lands of the Gadigal in Sydney and the lands of the Yawuru in Broome. She is a director and dramaturg of intercultural and trans-disciplinary dance projects and a performance scholar and researcher. Since the company’s founding, she has co-conceived and directed Marrugeku’s productions Mimi, Crying Baby, Burning Daylight, Cut the Sky and Jurrungu Ngan-ga. She co-directed Buruand Ngalimpa with Dalisa Pigram. Rachael was previously Co-Artistic director of Stalker Theatre, co-devising and performing in the early works and directing Blood Vessel, Incognita (with Koen Augustijnen), Sugar and Shanghai Lady Killer. She was dramaturg for Dalisa Pigram’s award winning solo Gudirr Gudirr, Le Dernier Appel and Burrbgaja Yalirra.

  Rachael trained at the European Dance Development Centre in Arnhem, the Netherlands, The Amsterdam School for Advanced Theatre and Dance Research (DAS ARTS) and gained a PhD in Performance Studies from Melbourne University. She held an ARC funded post-doctoral research fellowship at Melbourne University 2013-2016. Rachael is the author of Dance in Contested Land—new intercultural dramaturgies (Palgrave 2020) and co-editor of Marrugeku: Telling That Story—25 years of trans-Indigenous and intercultural exchange (Performance Research 2021).

OzAsia Masterclass: Seeing and Being Seen with Sue Healey

All images: Wendell Teodoro.

Masterclass

When: Monday, October 17, 5:30-7pm

Where: AC Arts, Rehearsal Studio, Level 3, 23 Light Square, Kaurna Yarta

Cost: $30 (+ booking fee)

Studio open at 5:15pm, please arrive then to check in and warm up.

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The Mill in partnership with OzAsia Festival present a masterclass with Sue Healey that explores the Dancer and the Camera through visual awareness, the frame and movement within it.

Sue Healey is touring to Adelaide to perform in The Long Walk as part of 2022 Oz Asia Festival.

About the masterclass:

The class will open up visual and kinaesthetic awareness through a series of exercises and improvisations that relate to the works Healey is showing in the festival. Participants will move and observe, experimenting with the frame and dynamic nature of a moving camera.

Experience level:

All ages and disciplines are welcome – Open to everyone, though the workshop setting is best suited for artists, filmmakers, cinematographers, choreographers, dancers, performance and media artists. No dance experience required. All movement exercises will be accessible for all abilities.

Requirements:

Participants must bring a smart phone with a camera.

• About the artist

  Sue Healey is a Sydney-based choreographer, film-maker and installation artist with 40 years experience in Australia and internationally. She is the recipient of the Australia Council Award for Dance for 2021.

  Experimenting with form and perception, Healey creates performance and film for diverse spaces and contexts: galleries, theatres and screens. She tours internationally and has shown her work in many iconic venues, including the Sydney Opera House; Victorian Arts Centre; Lincoln Centre, New York; Red Brick Warehouse, Yokohama, West Kowloon Cultural Precinct, Hong Kong and Aichi Arts Centre, Nagoya Japan. 

  Sue has created highly acclaimed, large scale projects, in Australia, New Zealand and Asia; including Live Action Relay for Liveworks Festival 2020, City as Portrait Gallery (B.E. Exhibition, Customshouse Sydney 2018), En Route (Wynscreen 2017), On View: Hong Kong - 5 channel installation for West Kowloon Cultural District, Hong Kong (2017), On View: Japan - 5 channel installation Red Brick Warehouse Yokohama 2019, On View: Panorama live performance and film installations that toured Kinosaki, Yokohama and Nagoya, Japan 2020.

Brand X Residency: Olenka Toroshenko showing, 'i am root'

Photo: Lauren Connelly (LALA Photography)

Public showing

When: Friday, September 2, and Saturday, September 3, 8pm

Where: The Flying Nun by Brand X, 34-40 Burton St, Darlinghurst

Cost: $25

Accessibility: If you have access requirements for attending the show, please tick the access requirements box during the booking process. This includes booking companion card tickets. A Brand X team member will then be in touch to ensure we understand your requirements.

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As part of the Spotlight / Brand X Residency, 2022 recipient Olenka Toroshenko flew to Sydney to further develop and perform her work i am root as part of Brand X’s Flying Nun Program.

The aim of this residency is to develop national pathways for artists to further develop and present their work interstate along with networking opportunities provided in partnership with Brand X in Sydney.

The residency began at The Mill for 2 weeks earlier in the year, followed by a 1-week residency and performance season at Brand X’s The Flying Nun program. Olenka’s performances will occur on September 2 and 3.

We look forward to reporting on the outcomes from this wonderful development presentation and touring opportunity that is built to empower and support South Australian makers!

• About the artist

  Olenka Natalia Toroshenko is a Ukrainian Canadian artist, writer and producer whose life is in service to a saner, meaningful existence. She is a multidisciplinary performer whose mediums include spoken word poetry, dance, clowning, song, storytelling and ritual performance art. 

  She is a Katonah yoga teacher, student of The Orphan Wisdom School and lover of coniferous forests. She has worked in news broadcasting and politics which helped shape her understanding of the current cultural paradigm. She was the co-producer of “wild”, “Shakti Showcase” and “Shakti Rising” multi-artist/disciplinary productions and has toured 4 different continents as a singer, poet and dancer.

  She enjoys producing video projects, Burning Man theme camps, and multidisciplinary shows. She is inspired by collaborating with other artists.

  Olenka currently resides in South Australia.

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Adelaide Fringe 2023: Expressions of Interest

Expressions of interest have closed for The Mill’s Adelaide Fringe 2023 season.

The Mill welcomes artists working in all areas of performance - from live music to theatre, dance, comedy and more. Our venue is a great space for risk-taking, trying out new ideas or presenting fully-realised works.

The Breakout is a 50-seater black-box theatre space adjacent to The Mill’s 35 artist studios and exhibition spaces. Located a 15 minute walk from Rundle Street, our theatre is perfect for intimate artist-audience interactions.

While the EOI is closed, we encourage those interested in joining our waitlist to contact The Mill Associate Producer Louie Dempsey.

Before you send an EOI, complete the following steps:

• Read the Venue Information Pack to familiarise yourself with our venue.

• Collate as much information about your show as you can (about you/your show, technical specifications, marketing plans, etc).

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Key Dates

Tuesday, August 23: EOIs Open

Sunday, September 18: EOIs Close

September 23 - October 7: Offers sent out

Thursday, October 20: Adelaide Fringe printed program deadline

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Any questions please email The Mill Associate Producer Louie Dempsey.

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Exhibition: The World Needs Us, We Need the World: Political poster art for climate action

Image: Australian Youth Climate Coalition ‘Climate Justice Bootcamp’ poster illustration.

October 7 - November 18, 2022

Opening event: Friday, October 14, 6-8pm

School Holiday workshop: Tuesday October 11, 1pm

Opening hours: Monday-Friday, 10am-4pm

Where: The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

Cost: Free

• Accessibility

  Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St. The Mill has concrete flooring throughout and a disability toilet. View more in-depth information on our accessibility page.

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For Nature Festival 2022, The Mill presents a new 6-week exhibition that celebrates the role of art as activism in the context of climate crisis and various political issues. The exhibition features poster art from the Australian Youth Climate Coalition (AYCC), historical works from the FUMA collection, alongside contributions from local activists.

We invite the general public, young people, artists and creatives to contribute to a community poster wall as part of the exhibition. A poster making station with materials will be a permanent feature of the exhibition, with audiences invited to create a poster and add it to the wall. Contributing artists can respond to the theme ‘The World Needs Us, We Need the World’. 

A free school holidays workshop (Tuesday, October 11) will invite young people and their families to create and contribute to the exhibition.

Call-out for contributions:

We invite you to contribute a poster to the exhibition to be included in the community poster wall. Flex your creative muscles and design something meaningful and authentic that responds to the theme of the exhibition ‘The World Needs Us, We Need the World’. See examples from AYCC below!

Artworks must be:

• A3 or smaller

• Able to be pinned to the wall

• Welcoming, inclusive and appropriate for all ages (keep it clean folks!)

• include your name, email and phone number on the reverse

Delivered to The Mill by September 30, 2022

Att. Adele Sliuzas, The Mill, 154 Angas Street, Kaurna Yarta, Adelaide, 5000

Artworks can be collected from November 21, or include a return self addressed envelope

'The World Needs Us, We Need the World: Political poster art for climate action is presented as part of Nature Festival 2022 with support from City of Adelaide.

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Exhibition Space Program 2022/23: Expressions of interest

The Mill’s Exhibition Space program highlights the practice of art-making and aims to make process more available to audiences. Our focus is on multidisciplinary projects, and we welcome applications from artists, creatives, curators, makers, or projects that seek to explore multi-disciplinary practice and process. We have one exhibition opportunity available in late 2022 and several available for 2023 including during Fringe Festival and SALA Festival.

Exhibitions run for ~approx. 9 weeks (including bump in and bump out)

The Mill is a growing organisation, and as such we are endeavouring to pay an artist fee of $1000 per project as well as modest production & public program costs, however this funding is unconfirmed. Before applying, please consider whether this project is viable for you without confirmation of these fees. And keep your fingers crossed for us! We do not charge Gallery hire to artists in the Exhibition Space Program.

About the Exhibition Space:

The Mill’s Exhibition Space is located on the Angas Street Window Frontage of 154 Angas Street. The gallery is a rectangle footprint with approx 16.4 linear m of hanging wall space, and 38.8 square metres of floor space. The Exhibition Space is oriented prominently at the front of The Mill’s building with a large window facing Angas Street. It sits adjacent The Mill Showcase gallery, The Mill's office and Creative Industry studio's. The Space has professional lighting, two projectors and a number of plinths are available for artists to use.

Selection Criteria:

The selection will be made by a panel of The Mill staff & Board based on the following criteria:

• Focus on multidisciplinary practice, &/or focus on process

• Accessibility for a diverse audience

• Exhibitions and proposals that engage existing and new audiences

• Viability and suitability of the proposed exhibition

• Professional and artistic merit

Applications due Friday, September 2, 5pm ACST

Submitting a proposal is no guarantee of acceptance.

We want to make the application process easy to navigate, please don't hesitate to get in contact with Visual Arts Curator Adele Sliuzas if you have any questions or need assistance.

Applications have closed

OzAsia Masterclass: The Craft of Fight Choreography with Maria Tran

All images: Anna Kucera.

Masterclass

When: Tuesday, October 25, 4-6pm

Where: AC Arts, Rehearsal Studio, Level 3, 23 Light Square, Kaurna Yarta

Cost: $30 (+ booking fee)

Studio open at 3:45pm, please arrive then to check in and warm up.

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The Mill in partnership with OzAsia Festival present a masterclass with Maria Tran exploring action fight choreography and stage combat.

Maria Tran is touring to Adelaide to perform in ACTION STAR as part of 2022 Oz Asia Festival.

About the masterclass:

The central focus is to give opportunities for artists to explore themselves performatively through the format of action fight choreography and stage combat. Creatives will unpack leadership skills, courage, kindness, and what being strong and taking action means. Skills include improvisation, voice and movement devising, acting, and creating group work scenes.

Experience level:

16+, any level or experience welcome.

• About the artist

  Maria has a Bachelor in Psychology, Western Sydney University and a Certificate IV in Workplace Training & Assessment. She has conducted over a dozen workshop classes in leadership, digital media, creativity, business and entrepreneurship, public speaking and presenting, and acting and performance training for individuals, groups, face-to-face and online, particularly amongst culturally diverse communities.

  Her role as Youth Digital Cultures Coordinator with Information & Cultural Exchange (ICE) 2007-2009 led to the activation amongst young people of colour through digital art activism & performance. Since then, she’s designed, implemented, and ran over 100 workshops in Western Sydney and across Australia. Her workshops centre on creativity, psychology, stage combat and fight choreography, acting and performance, self-care, exploring passions, public speaking and presentation, project management, communication, community and cultural development practices, life as an artist, and many more. She currently co-facilitates at Acting For Mindfulness, a training program tailored for artists from culturally diverse backgrounds and descent navigating the acting & performative industries.